The sash on the bronze becomes meaning

China's ancient civilization is long and profound, and bronzes are its epitome and reproduction. The "bronze era" referred to in history is the period in which a large number of bronze tools and bronze rituals are used. Conservative estimates, this period mainly from Xia Shangzhou to Qin and Han, the time span is about two thousand years, which is also the brilliant period of bronze from development, maturity and even prosperity.
The animal face ornamentation of the Shang and Zhou bronzes reflects the worship of the natural gods at that time, and thus has a mysterious and solemn atmosphere. However, the meaning of these thick and mysterious patterns represents a certain meaning. The bronze ware is the embodiment of the consciousness of "the respect for the gods" of the Yin and Shang dynasties. The Zhou Dynasty developed into the "King of Heaven and Heaven" and formed the representation of the trinity of religion, political power and nationality. Most scholars believe that the Shang and Zhou rulers used the bronze plaque of "terror" to express the "mysterious majesty" of the kingship, in order to express its possession of political power, status and wealth, which is daunting.
He is the wicked beast of the legendary gluttony. He is greedy to eat even his own body, so his body is generally headless. In ancient Chinese mythology, jealousy is one of the four murderers. Legend has it that the Yellow Emperor was in a war, and Chi You was shackled.
Chinese bronzes are not only numerous, but also rich in variety and variety. There are wine, food, water, musical instruments, weapons, tools and tools, horses and horses, household appliances, currency, seals, and so on. In the wine class alone, there is a prince. More than 20 kinds of horns, cymbals, cymbals, statues, pots, cymbals, cymbals, cymbals, cymbals, cymbals, spoons, bans, etc., each of which has different styles in each era, the same era The styles of the same species are also colorful, and the bronzes in different regions are also different. It is like a hundred flowers and colorful, which makes the bronzes have high ornamental value. From the point of view of cultural relics identification, it is undoubtedly more difficult to identify, and the identification is difficult, which in turn makes research appreciation more interesting, and bronzes are more attractive.
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